The name SAVOYARDS is derived from the name of the theatre in London, Richard D'Oyly Carte's Savoy Theatre, where many Gilbert & Sullivan operas were first performed. It refers to afficionados and performers of Gilbert & Sullivan's operas. There are at least three ways to pronounce SAVOYARDS: SA-voy-ards, with emphasis on the first syllable; sa-VOY-ards, with emphasis on the second syllable; and SAVVEE-ards, with emphasis on the first syllable. Take your choice.

"... a standing ovation."
—Leslie Weisman in DC Theatre Scene

"Wonderful acting and singing."
Rich Massabny on WUSA-TV (CBS), channel 9

"... on a par with Broadway productions."
Bob Anthony

Man of La Mancha
Stefan Sittig, Choreographer/Fight Director
Shawn Burke-Storer, Music Director
Colin Hovde, Director

April 11 to 27

Man of La Mancha press

listen to Scott Sedar sing "The Impossible Dream"
listen to Diego Prieto sing "I Like Him"

Synopsis: Miguel de Cervantes, aging and a failure in his varied careers as playwright, poet and tax collector for the government, has been thrown into a dungeon in Seville to await trial by the Inquisition. There, he is hailed before a kangaroo court of his fellow prisoners; thieves, cut-throats and trollops who propose to confiscate his meagre possessions, including the uncompleted manuscript of a novel called "Don Quixote." Cervantes, seeking to save it, proposes to offer a novel defense in the form of entertainment. The "court" accedes and before their eyes, donning makeup and costume, Cervantes and his faithful manservant transform themselves into Don Quixote and Sancho Panza. They proceed to play out the story with the participation of the prisoners as other characters.

Quixote and Sancho take to the road, in a campaign to restore the age of chivalry, to battle evil and right all wrongs.

In a roadside inn—which Quixote, spying from a distance, insists to Sancho is really a castle—Aldonza, the inn's serving girl and part-time trollop, is propositioned by a gang of rough Muleteers. Quixote, arriving at the inn, sees Aldonza as the dream-ideal whom he will serve evermore, singing Dulcinea to her. Aldonza is confused and angered by Quixote's refusal to see her as she really is.

The Padre and Dr. Carrasco arrive at the inn but, on questioning Quixote, are frustrated by his crazy logic. They are interrupted by the arrival of an itinerant Barber singing The Barber's Song. Quixote confiscates the Barber's shaving basin, convinced that it is really the "Golden Helmet" of Mambrino, and is ceremoniously crowned with the aid of the Muleteers and the incredulous Barber.

Later, Aldonza encounters Quixote in the courtyard where he is holding vigil in preparation for being dubbed a knight by the Innkeeper. She questions him on his seemingly irrational ways, and is answered by Quixote in a statement of his credo, The Impossible Dream.

Aldonza has caught the fever of Quixote's idealism but, attempting to put it into practice, is cruelly beaten and ravaged by the Muleteers in The Abduction, and is carried off.

On the road again, Quixote and Sancho encounter a thievish band of Moors and are robbed of all their possessions in the The Moorish Dance. They return to the inn, only to encounter the disillusioned Aldonza who sings her denunciation of the Quixotic dream in the dramatic Aldonza. A fantastic figure, the Enchanter disguised as the Knight of the Mirrors, enters; challenging Quixote to combat, the Enchanter defeats him, forcing him to see himself as a pathetic clown.

Back at home , the old man who once called himself Don Quixote is dying. Aldonza, who has followed him, forces her way into the room, pleading poignantly with him to restore the vision of glory she held so briefly. Quixote, remembering, rises from his bed to reaffirm the stirring Man of La Mancha, but collapses, dying. Aldonza, having glimpsed the vision once more, refuses to acknowledge death, saying, "My name is Dulcinea."

In Cervantes' dungeon the prisoners, dregs of humanity though they are, have been deeply affected by his story and restore to him his precious manuscript. Cervantes is summoned to his real trial by the Inquisition. The prisoners
unite to sing him on his way with The Impossible Dream.

Don Quixote (Scott Sedar). C. Stanley Photography

CAST
Cervantes/Quixote
SCOTT SEDAR
Sancho
DIEGO PRIETO
Aldonza
JULIE K. WOLF
Padre
JOHN DAY
Barber/Muleteer/Quixote understudy
HANS DETTMAR
The Duke/Dr. Carrasco/
Knight of the Mirrors
CONRAD BUCK
The Governor/Innkeeper
CHRISTOPHER POVERMAN
Maria/Housekeeper
NIKKI ARBITER-MURPHY
Antonia
LAURA QUENZEL
Fermina/Aldonza understudy
RACHAEL K. SALTZMAN
Muleteers
TONY BULLOCK
KEVIN HASSER
JASON OVERMYER
MAJED SAYESS

Sancho (Diego Prieto) and Don Quixote (Scott Sedar). Photo by Keith A Erickson Photography

Don Quixote (Scott Sedar). Photograph by Keith A Erickson Photography

design by Erika Maxwell

top to bottom: Aldonza (Julie K. Wolf), Aldonza and the muleteers, Don Quixote (Scott Sedar) and Aldonza. Photographs by Keith A Erickson Photography.

left to right: Aldonza (Julie K. Wolf), Don Quixote (Scott Sedar), and Sancho (Diego Pietro). Photo by C. Stanley Photography